All Courses

Now Offered as an Pre-recorded Online Course - You can start the course any time between June 24th 2020 and September 30th 2021. You can have access to the films for as long as you need. This is a pre-recorded version of the live online course that I did in May. It is created as a 4 day course and each days recording is approximately 1 hour and 40 minutes long. It provides demonstrations and explanations of the processes and exercises that I offer. These are designed to help artists tackle the subject in a way that is expressive, personal and more intuitive. It also suggests ways to navigate the creative process and the journey that a body of work takes . The joy of being able to offer these recorded sessions is that you can work in your own studio space and at your own speed. You can watch them several times over and at a pace to suit your daily timetable. You can take much longer than four days if you need to. Once you have completed the course and made work, which does not have to be finished, you can send me images. I will enjoy looking at them and give you emailed feedback about what you have done and advice about how you might go forward..

Online Course - Pre-recorded The Working Landscape is a practical drawing and painting course led by Simon Carter. It comprises of four separate films, each one giving processes and inspiration for a days work in your own studio. However, the joy of having the films is that you can pause, rewind and revisit aspects of the film at your own pace. You can start when you want and take as long as you would like to complete it. The course gives you the opportunity to follow Simon in his working routines. His critically acclaimed paintings, in response to his local landscape, are masterful examples of the powerful, poetic beauty that paint can create when delivered with the confidence and experience of a professional artist. It is a rare opportunity to look over his shoulder as he walks and draws in the landscape, and as he draws and paints in the studio.

Colourful experiments in observation and abstraction

Pre-recorded Course You can start the course any time between November 2nd 2020 and December 30th 2021. You can have access to the films for as long as you need. 

A three-day playful and experimental workshop in which you will make a minimum of 10 optically dynamic abstract paintings in response to a pair of evolving, highly coloured still lives constructed in modified and painted cardboard boxes. The paintings will be visually informed by the Colour Theatre still lives but not be slavish copies. Seeking instead a painterly visual equivalence for the three dimensional richness of the Theaters. The Paintings and the Theatres will be changed in response to each other.

Online Course You can start the course any time between November 2nd 2020 and December 30th 2021. You can have access to the films for as long as you need. 

This 3 day course is all about becoming more knowledgeable and confident when mixing and using colour in your paintings. For the purposes of this workshop Emily demonstrates with a range of good quality acrylics and mediums on paper, but all of the principles are relevant for oils too. We will be working with a selection of 3 or 4 of each of the primary colours, plus white. With these we will mix an infinite range of colours.

A Pre-recorded Course You can start the course anytime between November 18th 2020 and December 1st 2021. You can have access to the films for as long as you need.

A 3 day course during which you will ‘construct’ three large (A1+) paintings( on a choice of supports- stretched canvas, MDF or ply board, or Heavy duty paper), using visual material gathered from a variety of sources. You will be asked to choose an outside space as your subject matter or resource, such as your garden, a local park or nearby wood. This visual material will include the making of quick drawings and paintings on paper, recording interesting forms, light and shadows, and the collecting of any objects and artefacts that would present interesting shapes and forms to work from. This accumulated visual matter will then be used as the starting materials and basis with which to embark on the three larger paintings, which will be made by employing a whole variety of methods, including- collage, experimental mark making, glazing, and paint transfer methods.